Today is 9/29/2014 – The sixth day of Navaratri. The first five days of the festival, I wrote a about a composition praising  the Goddess whom we worship during Navaratri , and also wrote some notes about the composer of that composition. Today also, I am going to do just that.

The influence of Tyagaraja and his lineage of students to current day’s Karnataka sangeeta is immense. During his lifetime, Tyagaraja taught a good number of disciples. Often there are differences in how some kritis are handled in the traditions of Umayalpuram, Thillaisthanam and Walajapet traditions ( termed so because of the major disciples who hailed from these places.

There was also a disciple by name Rama Iyer from the town of Lalgudi. This town , downstream on the Kaveri river, on which Tiruvaiyyaru where Tyagaraja lived stands has a temple dedicated to Saptarshishwara & his consort Srimathi  ( a form of Shiva and Parvati).  Tyagaraja visited this town and stayed with his disciple for a few days, and at that time he composed a set of five beautifyk compositions about these deities, which have come to be known as Lalgudi Pancharatna Kritis.

Lalgudi Rama Iyer trained his son Radhakrishnan to be a violinist. In an earlier post, you’ve read how the violin was adapted to play Karnataka sangeeta by Baluswamy Dikshita, the younger brother of Muttuswamy Dikshita.  And two generations later, Radhakrishnan’s  grandson Jayaraman became one of the greatest violinists the world has ever seen.

Lalgudi Jayaraman

Lalgudi G Jayaraman, or LGJ or just plain Lalgudi, as he is called by his millions of fans, passed away in 2013. But his music, in the form of numerous recordings and compositions remain with us.  LGJ has composed a number of excellent compositions, many of which have become very popular.

A Tillana is a composition that is primarily composed for dance – so generally only the charana does have any words. This Tillana in Raga Mand, that I chose to share today has the sahitya lines about Goddess Gowri. The raga is a 20th century import from Hindustani, and is considered a minor raga.  There are only a few compositions exist in this raga, but it is a very pleasant and bright raga!

Listen to the beautiful Tillana in raga Mand, composed by LGJ and played on the mandolin by U Srinivas:

Happy listening!

-neelanjana

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