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Dasara of 2012 is just over. In the past few years, I’d written series of music-based articles in my web spaces, in English, and in Kannada. This year, I was planning out another thematic series along the same lines during the festival but it ended up just being a plan. Or if I look at the brighter side, yay! it’s an opportunity for next year’s Navaratri! Just the case of seeing the glass half-full or half-empty I guess
Last couple years, I also posted some of my musical compositions on my blog around the Navaratri time. You can visit those posts from 2009 (Nasamani), 2010 (Ranjani) and 2011 (Bindumalini) by clicking the hyperlinks.
This year, I’m not posting a brand new composition, but am posting an updated one! Earlier this year, I’d composed a swarajati in the rAga Kamavardhini (also called as Ramakriya and somewhat incorrectly as Pantuvarali). You can listen to the swarajati here, sung by my friend “IndianMusicFan“.
Thanks to the Samskirtam group on Facebook, I met Sri Mahesh Bhat, who recently wrote a very beautiful lyric for this swarajati, just in time for Dasara 2012. Here it goes:
तव मृदुलम् पदयुगलम् मम शरणम् शिवे जननि
तव मृदुलम् पदयुगलम् मम शरणम् परशिवे जननि
तव मृदुलम् पदयुगलम् मम शरणम् जय परशिवे जननि ॥ पल्लवि॥
कल्याणानाम् वितरणि पापे मयि ते करुणा भवतु ॥॥
ईशनायिके लोकपालिके इन्द्रवन्द्य पदसरसिज लसिते
दितिसुत गजगण विदलनचतुरे सदा निवस मम हृदि गुहजननि ॥१॥
कुवलय दलसम सुरुचिर नयने निरुपम परिमलयुत मधुचषके
अतिधवल – रजतगिरि – वरनिलये कलशजनुते मधुमथनसोदरि ॥२॥
पायसमुदिते मधुरहसिते जनिमृतिहरसुधे कलिमलहरणि ॥३॥
संसारे परमविषमे संतापो दहति हृदयम्
एहि त्वम् तुहिनगिरिजे तापम् मे शमय ललिते
नीरागमतिरायातु मयि वेदादिनय संस्तुत चरिते
नाकलोकशोकहारिसुबले चारुचंद्रभासमान चिकुरे! ॥४॥
If you are interested in the notation along with sAhitya, click this link: A Swarajati in Kamavardhini
Finally here is a video slideshow from the “Bombe Habba” at our home during Dasara 2012:
Today is the seventh day of Navaratri. The composition of Swathi Tirunal that would be sung at Navaratri Mandapam is ’Janani pAhi sada’ in raaga Shuddha Saveri. The first six of the Navaratri Kritis of Swathi Tirunal are in praise of Saraswati, while the last three are in praise of Parvati. Listen to this composition by clicking here – sung by Sankaran Namboodiri.
In yesterday’s post where the composition of the day was a varna, I also wrote about different beginner lessons that a student of Karnataka sangeetha learns. Swarajatis part of such lessons. Today before presenting the ‘composition of the day’ I’d like to present you a swarajati which happens be a composition of my own . It is set in rAga ranjani and in Adi tALa.
Right now I have posted only the notation and hope to post a recording shortly.
For a PDF version, click here: A Swarajati in Ranjani.
Please note while the notation says “italics indicate mandra sthAyi” it should have read “lower case indicates mandra sthaAyi”.
Since the swarajati is in Ranjani, I would like to choose another comspoition in Ranjani for listening on the seventh day of Navaratri. The sahitya is in Kannada, and written is by Kankadasa.
ವರವ ಕೊಡು ಎನಗೆ ವಾಗ್ದೇವಿ ನಿನ್ನ
ಚರಣ ಕಮಲಂಗಳ ದಯಮಾಡು ದೇವೀ || ಪಲ್ಲವಿ||
ಶಶಿಮುಖದ ನಸುನಗೆಯ ಬಾಲೇ!
ಎಸೆವ ಕರ್ಣದ ಮುತ್ತಿನ ಓಲೇ
ನಸುವ ಸುಪಲ್ಲ ಗುಣಶೀಲೇ ದೇವೀ
ಬಿಸಜಾಕ್ಷಿ ಎನ್ನ ಹೃದಯದಲಿ ನಿಂದು ||ಚರಣ ೧||
ರವಿ ಕೋಟಿ ತೇಜ ಪ್ರಕಾಶೇ ಸದಾ
ಕವಿ ಜನ ಹೃತ್ಕಮಲ ವಾಸೇ
ಅವಿರಳಪುರಿ ಕಾಗಿನೆಲೆಯಾದಿ ಕೇ-
ಶವನ ಸುತನಿಗೆ ಸನ್ನುತ ರಾಣಿವಾಸೇ || ಚರಣ ೨||
Like many of the haridasa compositions, the music for this has been set by a later day musician. I am not sure who set this devarnama to Ranjani raga. Listen to ‘Varava koDu enage vAgdevi’ here, sung by Nagavalli & Ranjani.